To Leto: I enjoyed your composition. The subtleness and calm atmosphere make it sound great for incidental music. To make a weird comparison, it's as if Akira Yamaoka and whoever did the music for Pikmin 2 had a child. I'd love to know what kind of film you wrote it for. Loved the instrumentation and the counterpoint between the glockenspiel (if my hearing is correct) and horn-esque instrument about half way through. I was rather surprised by the sudden introduction of percussion. I'm wondering if that was mainly incidental or not. That was nice how the glock joined it in the end though.
And that was my long, pretentious, blathery feedback.
