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Seriously though, the fuck was up with that shark? |
It’s a robot shark. It doesn’t need to justify itself to you.
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yeah, bitch. it just harpoons whales and giant flying fucking peaches.
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I demand explanations! I allow myself to believe I'm entitled to shit that I'm not actually entitled to! I NEED ANSWERS
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Just because it's Roald Dahl doesn't mean it has to suck, look at Willy Wonka, that film's great.
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Actually I thought Willy Wonka was boring as hell, plus Dahl hated the first film.
At the end of the day it's a kids film. It doesn't have to make sense, it's like when people complain that there are fires in Spongebob, let's all ignore the talking cleaning sponge and the shorts-clad starfish. |
No fuck that I don't care if it's a kids' film or story or fucking tv series or anything. Being targeted at kids is NEVER an excuse for a sloppy piece of shit for a story, or being completely incoherent or campy or overall horrible.
If you're producing a story or film or game or anything targeted at kids, and it's nothing but garbage, you're conditioning them to like garbage and they will always like garbage and then the rest of us have to deal with the evolution of this garbage. Saying 'oh well it's for kids therefore it doesn't matter' is the absolute laziest and dismissive excuse you can pull out of the book regarding any form of media. Also, that's not even a good example. They even make fun of the underwater fires in the show. The entire point for a lot of the nonsensical stuff in Spongebob is there specifically to be nonsensical and zany, and that was there from the get go. There's reasons why the things that happen in Spongebob happen. And for the things that flat out don't make a damn bit of sense, it's pointed out and mocked throughout the show. It's about believability within the world presented. Spongebob gives us an idea of what to expect and how things work in the first handful of episodes alone, and sticks to these general rules. When things don't make sense in-universe, it's picked fun at. James and the Giant Peach doesn't do this. It kind of gives you somewhat of an idea of how things kind of work not really then doesn't abide by any in universe laws and the story is all over the place. It takes itself very seriously. Everything's presented in a way that makes it seem like it knows what it's doing. Not to mention, it's not even that light hearted of a movie. It's pretty damn dark, which only makes this whole thing worse. I hate plot holes so large they bust a hole in the fabric of time and space and that's pretty much what came out of this movie/story/whatever. huff |
Yeah that was a really bad example STM. You should have used the pineapple than isn't really a pineapple.
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HORRIBLE was that light-hearted enough of a reply I'm genuinely sick of people misreading the tone of my posts |
I do feel horrible. I am a horrible person and I apologise for being so horrible.
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I'm so, so proud of you for owning up to your horribleness. Brings a tear to my eye.
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Okay, that's enough argumentation about that damned peach film.
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Edit: I hadn't read this page when I typed this. |
I caught up with Space Dandy. It has some good episodes, but I'm warning all you pussies that a dog dies.
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My brother keeps telling me to watch Space Dandy. Is it really good?
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It's weird.
I watched This is England with my girlfriend and taught her that northerners are icky. |
Was introduced to Studio Ghibli last night.
Spirited Away is fucking fucked, man. |
Spirited Away was the only Ghibli film I could really get into. Also, I have a mighty desire for all that food Chihiro's parents pigged out on.
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dude |
The three Ghibli movies I saw were Spirited Away, Howl’s Moving Castle and Princess Mononoke.
I think I enjoyed Howl the most, with Mononoke a close second (mainly because I had a splitting headache by the time we watched it). Miyazaki was straight-up on drugs when he came up with Spirited Away. No other explanation. |
I've talked at length on Howl at five different occasions already, so I'll just sum up what I said.
It's a really badly put together story that still manages to be a very good movie. A testament to Miyazaki's skill as an animation director. |
Yeah, I guess the story just kind of meanders around. It’s the characters that made me like it so much, they all have pretty charming personalities and if there’s one thing I really love in fiction it’s watching a bunch of characters just kind of bounce off each other.
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Agreed, it was Howl's Moving Castle and FMA: B (don't cringe), that got me into anime enough that I would watch it of my own accord. I really need to see Princess Mononoke and Fireflies.
Subsequently, there's this anime set in the last days of World War II that I was itching to see. Supposedly it's one of the best anime's ever made but I can't for the life of me remember the name of it, would you maybe know of the one I'm talking about, WoF? |
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No I don't think it's either of those, I'm gonna have another blitz through Youtube and see if I can find it. And I was of the opinion that people tended to look down on anyone who enjoyed FMA because it's too mainstream an anime to warrant status as one of the best. :P
I'm sure the anime in question was about a boy soldier...you know it might actually be Grave of the Fireflies...I'll have to check tonight. Thanks by the way. Oh, also I've been watching Samurai Champloo slowly. It's...interesting. |
I liked Samurai Champloo a lot more than Cowboy Bebop. Some episodes in the first half can be a bit strange (Though any episode with Manzou the Saw is gold) but it has some damn good episodes towards the end.
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I'm going to keep up with Samurai Shampoo (tee hee) just because it seems to be picking up now that I'm about three or four episodes in. I must admit that the rivalry between the Ronin and the Rogue is wearing a bit thin, quite annoying. I've only ever seen the Cowboy Bebop movie and I didn't think it was all that; the story seemed flimsy and the only character I liked was Ed. Plus that ending, urgh.
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Deathnote, however................. |