What a cuntish non-guitarist thing to say. OOH LOOK YOU KNOW WHAT AN INTERVAL IS*
*BUT NOT IT'S TECHNICAL GUITAR TERM, the "POWER CHORD" |
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And if we all had to be able to play the instruments before we could compose, would that mean we'd have to be able to play every instrument in the orchestra before we could compose music for it? :confused: |
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Regarding Leto's comment, I understand that the fifth chord is most often referred to as the "power chord", but, for reasons unknown, and as pretentious as it may be, I much prefer to use the term "fifth chord". |
I've always been of the opinion that music doesn't need to be technically impressive. Remember when you were a kid, and you would hear music, but you didn't know what the instruments were or hard it would be to play a certain piece? You just enjoyed music for the music. Not because it was difficult to play.
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my mate gets like that. i suspect he likes ACDC mainly for the talent of Angus Young, i don't mind them myself, but my opinion has nothing to do with the skill of the musicians. then he got into another band that consisted of long-haired, big-headed, pretentious 'cunts' as i like to call them, and i hadn't even heard of them. personally i found the music to be shit; 10 minute electric guitar battles between two band members that apparently had broken records for simply playing the guitar 'really fast'. not my thing. |
Oh come off it, Dragonforce aren't that bad.
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No, quality always takes precedent over quantity. The works of Satie and Arvo Part are great examples of the power of simplicity. However, while creativity and knowledge of theory is obviously necessary to compose good music, it certainly helps if you know the instruments you're composing for. My friend asked me to play a piece he wrote for piano, and it just didn't feel right, and he's not a pianist. I'm far from being a fine pianist myself, but I've played enough to know that Bach and Mozart knew their shit when they wrote for piano (or harpsichord, perhaps).
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As a composer, you have to know certain things about what you're composing for - whether or not you can play it is irrelevant, but you can't write a part for flute 50 ledger lines below it's range and expect the musician to magically make that note. You also have to bear in mind the complexity of certain instruments. You can't write a piece for contrabassoon in 160 bpm with tons of slurred arpeggios and expect the bassoonist to play it smoothly. Making overly complicated pieces is indeed the mark of an amateur musician. That doesn't mean that complex pieces are bad, quite the opposite, in fact I'd like to think of myself as a maximalist :p I utilize as many instruments as I can, but I always make sure they blend well and don't write ridiculous motifs. |
@ odjobbabe and the "fifth chords"
you're obviously not that musically inclined, as an interval (such as a fifth) is just that: two notes. as such, you can't have fifth chords (chords being at least three intervals being played at once). it's as if you've missed the first half or something (as in 'minor 7 flat 5 [-7b5] chord') @ gretin: basically if you learn guitar through conventional tuition, whether you like it or not you're going to learn jazz/blues. i don't really like much jazz or blues at all, but i am a proficient jazz player because it's just the way guitarists get taught (people just don't teach classical guitar like they used to in the super strict age of black and white :/) @ music difficulty: most of the time, difficult music isn't enjoyable and is usually only enjoyable because it is impressive. people greatly underestimate how extremely difficult it is to write something that's both very simple and very effective. one of my favourite songs only has 5 chords in it, and the melody rhythm is all minums. |
I have had conventional tuition on the guitar, and yes, I've learned a bit of jazz/blues, but my teacher pretty much teaches me the styles I want to learn, so I do classical and rock/metal as well.
Also, I just want to say by technical I didn't necessarily mean difficult. And for composing for instruments you can't play, I never said you can just blast away composing any old crap for any instrument that you don't actually know how it works. Obviously you have to have an understanding of how the instrument you compose for works, but that doesn't necessarily mean you have to be a proficient player at that instrument. |
certainly. i found that out when i was 14 and tried to write for a string quartet thinking i could just do it without any other insight. i mean you can download digital orchestra and put random notes in, but chances are they will sound awful/imbalanced, or they wont be in the instruments range etc.
i'm so glad i've broken out of the guitar theory mindset though, it was a pretty hard thing to do. being taught from day one to think of chords from the bottom up. i'm glad i'm forever able to expand musically, there's always more to learn |
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My flute teacher is brilliant, he's teaching me to play beautifully (gently, good tone, in tune) and I just love the sound I make. I need to know snappy fast passages, though, else I can't show off. |
Hahahaha, "in tune." That's sure not something I hear emphasized that often from flautists. Just kidding...
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What about if it's the three note power chord with the root note added on the end again (1 - 5 - 8), does that count as a chord? XD Just kidding, I'm not 100% sure on the technical terms either, I know enough theory to know how to write the music I want but I don't know all the terms to describe everything.
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Last year I would have loved to play the bass guitar, but I couldn't do it and now I lost this desire.
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HAHAHAHAhahahahaha. I had a really scary performance at an assembly today on my flute. I had to solo, without accompaniment because they wouldn't allow a piano access to the gym, in front of at least 300 peers and a group of community members. I played polonaise from the suite in B min rather well, if I say so myself. One person said afterwards: "Well done, that was...........great." Thanks for the reassurance! I was happy with how I played |
My skills are more with Audacity and PC audio mixing
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guys , i found out from a video from ralph of serpent underground , that the keyboard can also be used to play metal stuff , why i didn't feel that before? , because i wasn't using the fill in patterns , it makes the song feel full , now i can learn some more , then BANG ALL NIGHT , METAL RULZ!!!!!!!!!!!
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Listen to "Carry Stress in the Jaw" by Mr. Bungle. They put a saxophone in metal. And it works.
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I am a quality drummer, and a shit guitarist. I'm also a maker of beats and electro-music using the likes of Logic Pro and Reason, yum.
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I've never played a Instrument. My dream is to play the Drums one day.
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Just do it! All you need is basic drum theory to flourish with. Tap your fingers and feet 24/7. Just do it.
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I hope to get my hands on a set of crotales this Christmas, no promises though as both my parents are flat ass broke this year.
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